somepotternerd:

Hagrid Hagrid Potter, you were named after the onLY GUY IN MY LIFE WHO LOOKED OUT FOR ME WITH ZERO ULTERIOR MOTIVES HE LITERALLY JUST CARED ABOUT ME BECAUSE HE WAS A GENUINELY NICE PERSON AND HE DESERVES SOME RECOGNITION FOR THAT

posted 1 day ago with 105,542 notes



❝ I like it when it rains hard. It sounds like white noise everywhere, which is like silence but not empty. ❞
— Mark Haddon, The Curious Incident of the Dog in the Night-Time (via sunst0ne)
posted 1 day ago with 341 notes



posted 1 day ago with 129,170 notes



silentauroriamthereal:

peacelovehappinessandwriting:

jamesfactscalvin:

mrshudsonstolemytardis:

Prince Harry and John Barrowman both do a mutual high five/ass slap combo omg

Can we just appreciate that John smacked Prince Harry’s royal ass so hard that the guy actually had to rub himself a little while John waves his hand

Can we just appreciate that John smacked Prince Harry’s royal ass 

It’s basically illegal not to reblog this.

posted 1 day ago with 197,833 notes



spookysafety:

fuckyeahcharacterdevelopment:

aetherial:

Checklist for character development.
Created by myself, compiled from questions gleaned from several sources, and some of my own additions.
It should be noted, that not every character will check every one of these things off. It is not REQUIRED to have all this information, but this checklist is, rather, a guideline for helping you think of your character as an entire, three dimentional being with thoughts, feelings, possessions, contradictions and background.
A character is 20% revealed to the reader, 80% writer/author/Mun knowledge. What the Reader sees is just the tip of the iceburg, but without the other 80% the character can’t help but come off feeling shallow. There’s nothing beneath the surface -  KNOWING as much bout your character as possible, instrinsicly, in detail, intimately, can do nothing but help build believability and dimension to your character.
Use only the things on this list that you feel are important, but I would like to remind you that the reader learns a lot about a character NOT through exposition (that’s kind of a cheat, and always feels , to me, like a rather clunky way of conveying knowlege), but through their actions, quirks, thoughts, and even through the things they own and carry with them. What kind of food they eat and how they eat it. What they wear. What they carry in their wallets.  I encourage you, as writers, to consider these things when creating a character, and encourage you MORE to leave the exposition out and tell us about your character through these other means!
If nothing else, this will give you a LOT to work with when writing with your character. Maybe it’ll spur you to write about the character’s parents. Or the relationship between them and their family. Maybe you’ll find yourself inspired to write something about how they lost everything in a fire  - and the importance each remembered lost item held.
There is certainly no rule that says you HAVE to do it this way, but invariably, the most memorable characters are the ones that we as readers can relate with. It’s hard to relate with just words - but people - with beliefs and dreams and fears -  that’s something we can get behind.
I certainly hope you find this useful, and since so many have been inclined to reblog and like this, I shall endeavor to add more character creation and writing tips, lists and excercises up on this blog!

I think this is the most beautiful thing I have ever seen.
- Pen

spookysafety:

fuckyeahcharacterdevelopment:

aetherial:

Checklist for character development.

Created by myself, compiled from questions gleaned from several sources, and some of my own additions.

It should be noted, that not every character will check every one of these things off. It is not REQUIRED to have all this information, but this checklist is, rather, a guideline for helping you think of your character as an entire, three dimentional being with thoughts, feelings, possessions, contradictions and background.

A character is 20% revealed to the reader, 80% writer/author/Mun knowledge. What the Reader sees is just the tip of the iceburg, but without the other 80% the character can’t help but come off feeling shallow. There’s nothing beneath the surface -  KNOWING as much bout your character as possible, instrinsicly, in detail, intimately, can do nothing but help build believability and dimension to your character.

Use only the things on this list that you feel are important, but I would like to remind you that the reader learns a lot about a character NOT through exposition (that’s kind of a cheat, and always feels , to me, like a rather clunky way of conveying knowlege), but through their actions, quirks, thoughts, and even through the things they own and carry with them. What kind of food they eat and how they eat it. What they wear. What they carry in their wallets.  I encourage you, as writers, to consider these things when creating a character, and encourage you MORE to leave the exposition out and tell us about your character through these other means!

If nothing else, this will give you a LOT to work with when writing with your character. Maybe it’ll spur you to write about the character’s parents. Or the relationship between them and their family. Maybe you’ll find yourself inspired to write something about how they lost everything in a fire  - and the importance each remembered lost item held.

There is certainly no rule that says you HAVE to do it this way, but invariably, the most memorable characters are the ones that we as readers can relate with. It’s hard to relate with just words - but people - with beliefs and dreams and fears -  that’s something we can get behind.

I certainly hope you find this useful, and since so many have been inclined to reblog and like this, I shall endeavor to add more character creation and writing tips, lists and excercises up on this blog!

I think this is the most beautiful thing I have ever seen.

- Pen

image

posted 1 day ago with 71,292 notes



 Mary Poppins (1964)

posted 1 day ago with 3,060 notes



posted 1 day ago with 9,879 notes



emocas:

I AM WORRIED THAT THEY WILL CUT FINNICK TALKING ABOUT HIS FORCED PROSTITUTION OUT OF THE MOCKINGJAY MOVIE(S) OR TRY TO UNDERMINE IT OR JUST “”“SUBTLY HINT AT IT”“” BECAUSE IT IS SUCH AN IMPORTANT PART OF THE STORYLINE AND IT REALLY ADDS TO HIS CHARACTER AND HELPS YOU GET A BETTER UNDERSTANDING OF HIM AND FEEL MORE SYMPATHY FOR HIM AND IT’S JUST SO IMPORTANT AND THEY HAD BETTER NOT CUT IT OUT OR WATER HIS CONFESSION DOWN.

posted 1 day ago with 14,376 notes



posted 1 day ago with 519,769 notes



theaffluenza:

subsiding:

Fun drinking game: take a shot for every chapter you’re behind in textbook reading.

posted 1 day ago with 62,155 notes